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The imposition of Ottoman rule on Macedonia had an impact on art,
especially on ecclesiastical architecture, since it was forbidden to
build new churches or to renew already existing ones.
During the first centuries of Turkish domination, the Christian
population of Thessaloniki, a center of the Ottoman administration,
shrank, and the city lost its leading position in the field of
religious art. The center of gravity shifted to Mount Athos and the
surrounding region.
From the late 16th century onwards there was a relative flowering of
ecclesiastical art in Western Macedonia, where the refugee Christian
population founded new communities.
In contrast, Turkish settlers were established in the fertile
regions of central and eastern Macedonia, and strong urban centers
were created, in which the restrictive legislation was strictly
enforced. This led to the decline of ecclesiastical art in these
areas until the 18th century. In the new communities in western
Macedonia, there was a revival of popular culture, giving a major
impulse to the creation of folk art.
Much of the artistic output of this period was the work of teams of
craftsmen organised in guilds. These worked in different regions and
assimilated a variety of artistic trends, though invariably basing
themselves on the Byzantine tradition.
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